Continental Airlines Flights from Fort Lauderdale (FLL) to Houston (IAH)
Orbitz is pleased to offer airline tickets on Continental Airlines, which operates 4 regularly scheduled daily non-stop flights from Fort Lauderdale (FLL) to Houston (IAH), departing between 6:30am and 5:45pm, and one additional non-stop flight regularly scheduled to depart at 7:40am and arrive at 9:34am, everyday except Tuesday and Wednesday. The average travel time from Fort Lauderdale, FL to Houston, TX is 2 hours and 52 minutes.
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During your Houston vacation, don't miss these great establishments and attractions:
Rienzi
In a 1950s River Oaks mansion designed by John F. Staub, the Museum of Fine Arts displays its collection of European decorative arts. Most of the collection predates 1800. Both the house and the collection were donated by the family that lived here. This museum will be of most interest to collectors of English porcelain and of no interest to children. Call for a tour. On Sundays you can take a self-guided tour, from 1 - 4pm.
Museum of Fine Arts, Houston (MFAH)
This is by far the best and biggest public art museum in Texas. It's a wonderful testament to what a lot of oil money can do, and the manner in which it evolved tells something about the development of the city's sense of aesthetics. The original museum, built in the 1920s, was pure neoclassical -- the attitude was that if Houston was to have a museum, it was to look like a museum. In the '50s, the MFAH directors hired Mies van der Rohe, the grand architect of the International Style to build an addition. In the '70s that addition received an addition, also designed by Mies. Both of these were bold statements of modern architecture -- lots of glass and steel forming a light and airy space -- but, unfortunately, not the kind of space that lends itself well for much of the museum's collection.In the '90s, the museum's directors hired Spanish architect Rafael Moneo to design a building that would be a return to traditional galleries. It, the Audrey Jones Beck Building, is across South Main Street from the main building. (A tunnel connects the two; make a point of visiting it.) The new building aims at reconciling the boldness of modernism with the staid character of traditional design. Constructed with rich materials and designed on grand proportions, the building feels monumental. All the galleries on the second floor take advantage of interesting "roof lanterns," which allow Houston's plentiful natural light to enter in regulated amounts. The Beck building doubles MFAH's gallery space and allows the directors to attract first-rate traveling exhibitions. The museum's collection of more than 40,000 pieces is varied, but it is perhaps strongest in the area of Impressionist and post-Impressionist works, baroque and Renaissance art, and 19th- and 20th-century American art. There is also a fine collection of African tribal art, as well as ancient artwork from several civilizations.Aside from the two gallery buildings, there is a large sculpture garden designed by Isamu Noguchi located across Bissonnet from the main building, and the Glassell School of Art, which can be seen just to the north of the sculpture garden. Look for a building made of a strangely reflective glass brick (another architectural pun). The museum also owns two collections of the decorative arts that are displayed in two mansions in the River Oaks area; see Bayou Bend and Rienzi.
Menil Collection
Here, on display in an unremarkable neighborhood near the University of St. Thomas, is one of the world's great private collections. Jean and Dominique de Menil arrived in Houston in the 1940s, fleeing the war in Europe. For more than 4 decades, they purchased and commissioned works of art; brought artists, architects, and academics to the city; organized groundbreaking exhibitions; and did much for Houston's art museums and for the art departments of Rice University and St. Thomas University. Their collection, especially the modern art, is vast, so much so that only a fifth of it can be exhibited in the museum at one time. The structure housing the collection was designed by Renzo Piano, who worked closely with Mrs. de Menil. It is graceful and personable and doesn't seek to impress the visitor or impose itself on the collection. In these qualities it is the physical embodiment of Mrs. de Menil's ideas about experiencing art. When you walk into the museum there is nothing between you and the art -- no grand lobby with marble stairway, no large banners or gift shop vying for attention, no tickets to buy, no tape-recorded tours. Viewing the art becomes a direct and personal experience.The Menil Collection is concentrated in four areas: antiquity, Byzantine and medieval, tribal art, and 20th century. This may seem an incongruous mix, but, strangely enough, it holds together. The collectors never intended to gather up the most representative of a period; they simply followed their own tastes, which were modern. And one interesting consequence of this fact (intended or not) is that, in walking through these galleries one right after another, the viewer gradually discerns a universality in some modern art that connects it all the way back to antiquity and across the boundaries of Western culture to the tribal peoples of other continents.In addition to the main museum, four satellite buildings form a museum campus. One of these satellite buildings is the much-talked-about Rothko Chapel, with its 14 brooding paintings by Mark Rothko, created specifically for this installation and the last works before the artist's death. In front of the chapel stands Barnett Newman's Broken Obelisk. A block south of the Rothko Chapel is the Byzantine Fresco Chapel Museum, which is worth seeing as much for the building that houses them (designed by François de Menil, son of Jean and Dominique) as for the frescoes themselves, which were ransomed from international art thieves. Across the street from the main museum, in a building also designed by Renzo Piano, is a permanent exhibition of the works of Cy Twombly, which, though perhaps difficult to approach, are easy to view because of the gallery's exquisite light. It lends a luminous quality to the large artworks, and somehow just being in the place livens one's spirits. Finally, Richmond Hall, 2 blocks south of the campus, holds an installation by neon light artist Don Flavin.
The Warwick Hotel
At one time the Warwick was at the top of the list of luxury hotels in Houston. Over the years, it has lost its high ranking but not its charm or its enviable location on the greenest, most attractive part of South Main, in the middle of the Museum District and near the Montrose area. Rooms throughout its 12 stories have lots of windows and offer good views in any direction. Most of the rooms are large; all come furnished in predominantly French pieces. The bathrooms are midsize and come with ample counter space. Service is good.
Lovett Inn
Located a block off Westheimer and 3 blocks from Montrose Boulevard, the Lovett Inn is on a quiet street right in the middle of the busy restaurant and club district of the Montrose area. The house dates from the early 1900s and was built by one of Houston's mayors. Most rooms are large (well above the usual size for B&Bs). The four rooms in the main house and two in the carriage house are attractive and well furnished with period pieces, wood floors, and area rugs, yet eschew the cutesiness that so many B&Bs feel obliged to deliver. Almost all have private balconies. There are also four town house units around the corner (two per house), which have separate entrances and greater privacy. These are comfortable but modern. One town house has a full kitchen for the use of guests if they rent both rooms.
Hilton Houston Plaza
In terms of amenities, service, and location, this is the best of the hotels around the Medical Center. Consequently, it enjoys a high occupancy rate, especially with people attending medical conferences. As the occupancy rate increases so do the prices (well above those quoted here). Try to book early and, if you have any flexibility, get rates for different dates. Making matters worse for travelers on a budget is the small number of standard rooms, only 40 out of 181.The hotel's facilities set this hotel apart from neighboring hotels. The large rooms are comfortable and well furnished. The building is 19 stories tall, with views toward either the Medical Center or Rice University; it's a toss-up as to which is prettier. The hotel's location on the rim of the Medical Center is actually an advantage over its principal Medical Center rivals (a Marriott and a Crowne Plaza) because it makes getting to and from the hotel easier, avoiding the Medical Center traffic jams and the tight parking garages.
