Orbitz is pleased to offer airline tickets on Continental Airlines, which operates 4 regularly scheduled daily non-stop flights from Brownsville (BRO) to Houston (IAH), departing between 6:00am and 4:40pm, and 5 additional non-stop flights, departing between 5:20am and 1:30pm on select days of the week. The average travel time from Brownsville, TX to Houston, TX is 1 hour and 17 minutes.

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Regularly Scheduled Flights to Houston (IAH) from Brownsville (BRO)
				Daily Non-Stops		Select Non-Stop		Earliest Flight		Last Flight
	Continental Airlines			4		5		5:20am		4:40pm
	Air France			-		2		12:14pm		4:40pm
	COPA			1		3		5:20am		4:40pm
	Delta Airlines			2		3		5:20am		4:40pm
	KLM Royal Dutch Airlines			1		1		12:14pm		1:30pm

During your Houston vacation, don't miss these great establishments and attractions:

Bayou Bend
Ima Hogg was the daughter of Gov. Jim Hogg, a man who obviously had a cruel sense of humor. Miss Hogg, however, did not grow up shy and self-effacing. Long after the governor was dead, she was a power to be reckoned with in local affairs and did much to keep the chicanery in city hall to a minimum. Her mansion, Bayou Bend, was built in the 1920s by Houston's most prominent architect, John F. Staub. It holds in its 28 rooms a treasure trove of American furniture, paintings, and decorative objects dating from Colonial times to about 1870, and is set amid 14 acres of beautifully tended gardens in a variety of styles. This is a must-see for antiques collectors and gardeners.Part of the Museum of Fine Arts, the collection can be seen by self-guided audio tour or by guided tour, for which you must make reservations. I prefer the guided tour, mostly because I like to ask questions. It takes 90 minutes and costs the same as the audio tour. Guided tours leave every 15 minutes. You can see the gardens on your own. Bayou Bend is on the backside of River Oaks, but is unapproachable from the main entrance to the neighborhood. The only way to get there is to go down Memorial Drive, which follows the north shore of Buffalo Bayou, then turn left onto Westcott to enter the grounds.

The Orange Show
This may not be the "greatest show on earth" but it must be the quirkiest. In truth it's not a show at all, at least not as we commonly understand the word. Rather, it's the life work of one man, former postman Jeff McKissack, who spent his last 25 years assembling a collection of found objects and building materials into an architectural collage that students of folk art call a "folk art environment." It stands in a quiet working-class neighborhood just off the Gulf Freeway, where it dares to be different. With the many flagpoles, spindles, wagon wheels, and wrought-iron birds rising up from behind its walls, it seems like an outpost for spontaneity in a wilderness of cookie-cutter ranch-style houses.Inside, the viewer is presented with all kinds of curiosities: two small arenas, observation decks, a small museum, and lots of cheerful wrought-iron decoration and tile work. Inscriptions adorn the walls; many of these honor that best of all fruits, "The orange: a great gift to mankind." Seeing the whole thing takes less than an hour. Upon the death of Mr. McKissack, The Orange Show fell into decay until it was rescued by the Orange Show Foundation, located in the house across the street and a center for Houston's folk art world. It is the organizer of the Art Car Parade and the Art Car Ball. It is also the organizer of Eyeopener Tours. If you like folk art, consider purchasing their driving tour audiocassette of Houston's other folk art treasures. (The tape comes with a map.)

Menil Collection
Here, on display in an unremarkable neighborhood near the University of St. Thomas, is one of the world's great private collections. Jean and Dominique de Menil arrived in Houston in the 1940s, fleeing the war in Europe. For more than 4 decades, they purchased and commissioned works of art; brought artists, architects, and academics to the city; organized groundbreaking exhibitions; and did much for Houston's art museums and for the art departments of Rice University and St. Thomas University. Their collection, especially the modern art, is vast, so much so that only a fifth of it can be exhibited in the museum at one time. The structure housing the collection was designed by Renzo Piano, who worked closely with Mrs. de Menil. It is graceful and personable and doesn't seek to impress the visitor or impose itself on the collection. In these qualities it is the physical embodiment of Mrs. de Menil's ideas about experiencing art. When you walk into the museum there is nothing between you and the art -- no grand lobby with marble stairway, no large banners or gift shop vying for attention, no tickets to buy, no tape-recorded tours. Viewing the art becomes a direct and personal experience.The Menil Collection is concentrated in four areas: antiquity, Byzantine and medieval, tribal art, and 20th century. This may seem an incongruous mix, but, strangely enough, it holds together. The collectors never intended to gather up the most representative of a period; they simply followed their own tastes, which were modern. And one interesting consequence of this fact (intended or not) is that, in walking through these galleries one right after another, the viewer gradually discerns a universality in some modern art that connects it all the way back to antiquity and across the boundaries of Western culture to the tribal peoples of other continents.In addition to the main museum, four satellite buildings form a museum campus. One of these satellite buildings is the much-talked-about Rothko Chapel, with its 14 brooding paintings by Mark Rothko, created specifically for this installation and the last works before the artist's death. In front of the chapel stands Barnett Newman's Broken Obelisk. A block south of the Rothko Chapel is the Byzantine Fresco Chapel Museum, which is worth seeing as much for the building that houses them (designed by François de Menil, son of Jean and Dominique) as for the frescoes themselves, which were ransomed from international art thieves. Across the street from the main museum, in a building also designed by Renzo Piano, is a permanent exhibition of the works of Cy Twombly, which, though perhaps difficult to approach, are easy to view because of the gallery's exquisite light. It lends a luminous quality to the large artworks, and somehow just being in the place livens one's spirits. Finally, Richmond Hall, 2 blocks south of the campus, holds an installation by neon light artist Don Flavin.

Make your reservations for discount hotel rooms in the Houston area, including:

Sara's Bed and Breakfast Inn
For the traditional B&B experience -- period decor, themed rooms, beautifully furnished common rooms -- this is the place to stay. Sara's occupies a large Texas Victorian house in the Heights. From here it's easy to get to all of central Houston. The house is immaculately kept and brightly decorated. Most rooms come with a queen-size or king-size bed. Several are inspired by other cities of Texas, including Fort Worth, San Antonio, and Galveston. The carriage house suite is extra large and has a king-size and a double bed. The hosts serve a full breakfast except on Mondays.

Grant Palm Court Inn
This is the best lodgings bargain in Houston: quiet, clean rooms with a number of little extras for a good low rate. This is one of those time-capsule places where nothing seems to change -- all rooms are furnished in '50s fashion. The higher rate is for rooms with two double beds that can accommodate up to four people at no extra charge. The rooms encircle well-tended grounds that hold a pool, a Jacuzzi, a wading pool, and a swing set. There is also a kennel for canine guests. The hotel is close to the Medical Center, Reliant Stadium, and AstroWorld. And the icing on the cake: Would you believe that Elvis actually once stayed here?

La Quinta Inn Astrodome
This two-story motel is just down the road from AstroWorld. The rooms include extras like free local calls and large TVs. Bathrooms are spacious and well lit. The furniture and decoration are the result of a renovation that succeeded in making the rooms comfortable and attractive, albeit unmistakably motel-like. More important is the fact that they shield out the noise from the freeway.